Dragons were rarer in the North though, and House Stark alone had never had a single dragonrider. Most Great Houses of Westeros boasted at least one dragonrider a generation, and some, like House Targaryen, had a dragon for every member at one time. YOU get a dragon and YOU get a dragon and YOU.Alternate Universe - Everyone Has Dragons.Mycah the Butcher's Boy (A Song of Ice and Fire).Graphic Depictions Of Violence, Major Character Death.Martin, A Song of Ice and Fire & Related Fandoms Uma Thurman’s 1995 minimal lilac Prada gown helped tip the red carpet into serious high-fashion territory, and set the scene for the sartorial power plays which now dominate awards season, with actors vying for cosmetic and campaign contracts, and their super-stylists becoming the lucrative brokers behind viral fashion moments.Harrenhals Fandoms: A Song of Ice and Fire - George R. It was only in the ’90s, though, when designer gowns at the Oscars truly exploded in importance and influence. These initial collaborations between fashion designers and actors developed against the backdrop of the fading power of the original studio system, where stars were held captive by their contracts. Similarly, Audrey Hepburn showcased her relationship with Hubert de Givenchy, on screen and off, by wearing a modern white pearl- and crystal-encrusted gown at the 1968 ceremony. In 1961, Elizabeth Taylor helped launch the fledgling career of Marc Bohan, who had recently taken over the reins at Dior her striking haute couture dress was part of Bohan’s “Slim Look” collection, and put him front and centre on the fashion map. The groundwork for the red carpet as we know it today was being laid, where the question of “who are you wearing” is a much fought over marketing tool. ![]() The Oscars started to become a place where designers recognised that their success could be heightened by forging relationships with these global stars, and actors shrewdly saw that they could stand out in the latest looks. Politics had found its way to the red carpet. ![]() It was a time for seriousness,” she said. Another rejection of the princess-style gown came from Jane Fonda in 1973 who, against the backdrop of the much-protested Vietnam War, chose a black Yves Saint Laurent trouser suit as a reflection of what she described as the “sombre times”. In 1973, he dressed long-time collaborator Cher in a sheer gold midriff-exposing crop top and billowing pants – following up with the singer’s majestic and iconic ’80s Oscars looks. Mackie was the arbiter of the much-referenced “naked dress” look (he worked on Marilyn Monroe’s legendary dress worn to serenade President Kennedy, controversially worn last year by Kim Kardashian to the Met Gala). Once Head stepped down from her advisory duties in 1970, there were some – including her protegée, Bob Mackie – waiting in the wings ready to blow up the rulebook. It’s a very light and almost white shade of blonde with distinct grey undertones that make blue eye color really pop. ![]() Helen Rose dressed Grace Kelly in High Society, as well as in an appropriately princess-y full skirted embroidered gown for the 1956 Oscars she then created Kelly’s much-referenced wedding dress for her marriage that same year to Prince Rainier III of Monaco – proving the influence of Hollywood design on the history of fashion itself. Ash is a cool blonde color with beautifully blended undertones of blue, purple and silver. The most successful costume designers of the era bridged the wardrobes of the stars from the sound stage to the red carpet. Other famed Academy Awards looks by Head include Elizabeth Taylor’s 1953 strapless pink ruffled dress (which, decades later, turned up on the American Antiques Roadshow, having been unearthed in an antique shop for $20) and Janet Leigh’s 1960 high-collared silver bugle-beaded sheath dress. In a poetic full-circle moment, Mo’Nique paid tribute to McDaniel when collecting her own Oscar in 2010, wearing not only a blue dress, but white gardenias in her hair, too.Īs well as creating Grace Kelly’s scene-stealing wardrobe in Rear Window, Edith Head dressed the future royal in one of the Oscars most memorable looks in 1955: an ice-blue gown created from $4,000 worth of silk, which at the time made it one of the most expensive Oscars dresses yet. She wore a blue dress accessorised with her favourite white gardenias in her hair – a flower so beloved by the star that she would ultimately request to be laid to rest with them in her hands, her body covered by a blanket of them. McDaniel was forced to sit at the back of the room, segregated from her white counterparts according to the venue’s then rules. A poignant example of this comes from Hattie McDaniel, the first Black woman to win an Oscar for her role in 1939’s Gone with the Wind.
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